Crafted from repurposed everyday objects and infused with imagery drawn from Western mythology and contemporary pop culture, these shadow boxes transform the familiar into the fantastical. Each work functions as a micro-monument—erected not in reverence, but in ironic homage to the towering ideals, inflated egos, and obsessive idolatries that shape modern society.By shrinking these monumental symbols into intimate enclosures, the artist reframes dominance as something performative, precarious, and often absurd. The resulting tableaux offer a layered commentary on masculinity, spectacle, and the unrelenting human urge to worship control.“In these boxes, power is both sacred and satirical,” says Rosenberg. “They’re shrines to our strange devotions—equal parts altar and critique.”OBSESSIONS invites viewers to peer into constructed worlds where myth and media, trash and tribute, collide. The works ask: What do we choose to elevate, and at what cost?